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artist: | Ewen Gur | titel: | Honey, Give me some Money (2/5) | technique: | UV-Lack auf Aluminium | year: | 2019 | size: | 40.00x30.00 | price: | 380.00 € |
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Gur, Ewen
Gur, Ewen
Ewen Gur is a French artist with German roots, who
grew up in the surroundings of Tours (Indre-et-Loire,
France), a region well-known for its castles and its “art de
vivre”. He started drawing at a very early age, mostly inspired
by video games and French comics from the likes of Francis le
Blaireau (Claire & Jake), Gai-Luron, and
La Rubrique-à-brac (Marcel Gotlib) or Gaston Lagaffe
(Franquin). As far as he can remember, he was always attracted by
soft outlines and storytelling.
As a teenager, Ewen
attended comics master classes with local artists for several years,
improving his technique and learning from them. He contributed to a
local magazine, «Dynamite comics». At school he
even gave little master classes to his friends, for
fun. After graduating in art, Ewen spent some more
years studying and trying different mediums of expression, from
commercial design to jazz music, searching for new fields to
explore. Ewen always felt a need to do his own thing,
to be an artist, but he didn’t settle on one specific medium.
He played in various rock bands as a bass player at
night, and did the posters and flyers for their gigs during the
day. As a former jazz and rock musician, he knew how to sketch the
everyday life of a band.
In 2006, Ewen found an old canvas
left to rot, and started painting on it, with homemade tools and some
paint found here and there. It was the start of
a serious relationship. After showing his work around the
Loire Valley, organizing and taking part in local exhibitions,
it was time to follow the way of the famous street artists who had
influenced him (Keith Haring, Basquiat, etc.), and to give his
career a big turn in the big city. He ended up choosing
Berlin, the well-known young and hip capital of Germany. A perfect
choice given his German roots, and the perfect place to start a real
career. His artistic originality needed such a creative place to
thrive, and it influenced his style with street art, new illustration
styles, fashion, outsider art, beer, and strange people.
Ewen’s
art is focused on black outlines; it’s very detailed and always
in search of the perfect curve (the perfect “groove”,
as he likes to call it), but it still looks deceptively simple.
Another aspect of his art is the use of bright colors to give a
”rock’n’roll” touch to his work, and to
serve as a reminder of the energy transported by the music he
likes to listen to. A work by Ewen is like a typical Berlin party, it
always intertwines several artistic mediums: it’s a painting
with its own music score and its own dance rhythm. Music plays
a large part in his creative process; it is a source of
ideas and energy for Ewen, and he enjoys
reproducing on canvas its inner life and rhythms – so it’s
no wonder that many of his pieces bear the names of songs.
Ewen
is interested in new forms of figurative expressions. His line is
soft and effective, a mix between figuration as you can find in
comics, and abstract elements. His paintings never lack humor,
and that's the message: don’t be so serious, breathe, enjoy
life and be rock’n’roll. Ewen's work depicts an urban
world no longer aware of its limits, and leading itself to
catastrophe. He describes the drifts and aberrations of consumerism
in a humorous way, and paints the destructive foolishness of busy
people addicted to fast food and smartphones. Like a child, he is
fascinated by the gigantic verticality and absurdity of our world.
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